About Me
- Satima Flavell
- Perth, Western Australia, Australia
- I am based in Perth, Western Australia. You might enjoy my books - The Dagger of Dresnia, the first book of the Talismans Trilogy, is available at all good online book shops as is Book two, The Cloak of Challiver. Book three, The Seer of Syland, is in preparation. I trained in piano and singing at the NSW Conservatorium of Music. I also trained in dance (Scully-Borovansky, WAAPA) and drama (NIDA). Since 1987 I have been writing reviews of performances in all genres for a variety of publications, including Music Maker, ArtsWest, Dance Australia, The Australian and others. Now semi-retired, I still write occasionally for the ArtsHub website.
My books
The first two books of my trilogy, The Talismans, (The Dagger of Dresnia, and book two, The Cloak of Challiver) are available in e-book format from Smashwords, Amazon and other online sellers. Book three of the trilogy, The Seer of Syland, is in preparation.I also have a short story, 'La Belle Dame', in print - see Mythic Resonance below - as well as well as a few poems in various places.
The best way to contact me is via Facebook at https://www.facebook.com/satimaflavell
Buy The Talismans
The first two books of The Talismans trilogy were published by Satalyte Publications, which, sadly, has gone out of business. However, The Dagger of Dresnia and The Cloak of Challiver are available as ebooks on the usual book-selling websites, and book three, The Seer of Syland, is in preparation.
The easiest way to contact me is via Facebook.
The Dagger of Dresnia
The Cloak of Challiver, Book two of The Talismans
Mythic Resonance
Mythic Resonance is an excellent anthology that includes my short story 'La Belle Dame', together with great stories from Alan Baxter, Donna Maree Hanson, Sue Burstynski, Nike Sulway and nine more fantastic authors! Just $US3.99 from Amazon.
Got a Kindle? Check out Mythic Resonance.
Follow me on Twitter
Share a link on Twitter
For Readers, Writers & Editors
- A dilemma about characters
- Adelaide Writers Week, 2009
- Adjectives, commas and confusion
- An artist's conflict
- An editor's role
- Authorial voice, passive writing and the passive voice
- Common misuses: common expressions
- Common misuses: confusing words
- Common misuses: pronouns - subject and object
- Conversations with a character
- Critiquing Groups
- Does length matter?
- Dont sweat the small stuff: formatting
- Free help for writers
- How much magic is too much?
- Know your characters via astrology
- Like to be an editor?
- Modern Writing Techniques
- My best reads of 2007
- My best reads of 2008
- My favourite dead authors
- My favourite modern authors
- My influential authors
- Planning and Flimmering
- Planning vs Flimmering again
- Psychological Spec-Fic
- Readers' pet hates
- Reading, 2009
- Reality check: so you want to be a writer?
- Sensory detail is important!
- Speculative Fiction - what is it?
- Spelling reform?
- Substantive or linking verbs
- The creative cycle
- The promiscuous artist
- The revenge of omni rampant
- The value of "how-to" lists for writers
- Write a decent synopsis
- Write a review worth reading
- Writers block 1
- Writers block 2
- Writers block 3
- Writers need editors!
- Writers, Depression and Addiction
- Writing in dialect, accent or register
- Writing it Right: notes for apprentice authors
Interviews with authors
My Blog List
-
When Red Walls Attack—Be You in a Trend-Obsessed World - Pexels Image by Melanie Brumble I watch a lot of Food Network and HGTV. I find it calming and motivating. I’m not much of a cook, but I’ve learned a litt...1 hour ago
-
The Aspidistra Radio Transmitter #WW2 - by Deborah Swift Harold Robin - WW2 Radio Engineer *The Shadow Network *which forms the title of my latest book refers to the fake news radio stations set u...3 hours ago
-
England and Egypt in the early middle ages: the papal connection - England and Egypt in the early middle ages: the papal connection When the Venerable Bede (d. 735) looked out from his Tyneside monastery across the North...3 hours ago
-
608. Women as Shields and Scapegoats: Talking Kate Middleton with Melissa Blue - Mel Blue was my guest when we discussed Spare – which has become one of my most listened-to episodes – so I asked her back to talk about the narratives of ...6 hours ago
-
Medieval Battle Injuries: What Archaeology Can Tell Us - Archaeology is transforming the way we understand medieval warfare. One way it is doing this is by revealing what kinds of injuries and wounds warriors rec...12 hours ago
-
While My Chapman Stick Gently Weeps - I’m coming down to the last month of writing on this current novel, so I expect that there will be a lot of fairly short entries here while I devote most o...13 hours ago
-
Top 10 Scream Queens from Movies and TV: Which Is Your Favourite? - What are Scream Queens? Typically, Scream Queens are the ultimate female character, especially in the horror or thriller genres. They are renowned for th...15 hours ago
-
April is Camp NaNoWriMo… - This year I’m doing something different, I’ve been editing over the last few NaNoWriMo’s and Camp NaNoWriMo’s. I need to get these books out into the world...21 hours ago
-
How to Make $30,000 a year Blogging - The post How to Make $30,000 a year Blogging appeared first on ProBlogger. Ever dreamt of making a living through blogging but feel overwhelmed by the jo...1 day ago
-
The Great Discworld Retrospective No. 12: Witches Abroad - When we last left the Witches, all the way back in Wyrd Sisters, things seemed to have settled down a little bit in the mountainous kingdom of Lancre. Ther...5 days ago
-
D.W. Buffa - D.W. Buffa's new novel is Lunatic Carnival, the tenth legal thriller involving the defense attorney Joseph Antonelli. He has also published a series that a...5 days ago
-
What “Burnt” Can Teach Us About Conflict and Stakes - *By Janice Hardy, @Janice_Hardy* *The whole point of creating conflict and stakes is to use them.* My husband and I are big fans of both cooking shows an...1 week ago
-
Researching the birth of the first domestic violence refuge - Read a researcher's journey exploring the first few years of Chiswick Women's Aid. The post Researching the birth of the first domestic violence refuge ...1 week ago
-
Just Been To See…Dune 2 - Poster. Fair use. I’ve just been to see Dune 2. I was impressed with the first film, which was pretty faithful to the novel, though it ended, not on a...1 week ago
-
"An '80s Tenement Love Story' from Bourbon Penn 31 an Aurealis Award Finalist - It's humbling to see my latest story "An '80s Tenement Love Story" recently announced as a finalist for an Aurealis Award. This is the second time I've ...1 week ago
-
In which I can now worry significantly less about something terrible happening to 126 things... - I spent yesterday in Dallas, at the Heritage Auction headquarters -- I had decided to auction off some artwork and memorabilia to benefit two charities ...1 week ago
-
A home: feels like a whirlwind - We’ve been home exactly one week. I was telling Matthew that I haven’t found my groove yet. I’m currently grooveless. Last post was from London. I don’t th...3 weeks ago
-
A home: feels like a whirlwind - We’ve been home exactly one week. I was telling Matthew that I haven’t found my groove yet. I’m currently grooveless. Last post was from London. I don’t th...3 weeks ago
-
‘The Noble Salvidge’ in conversation with Will Yeoman at York Writers’ Festival - On April 13th I will be attending the York Writers’ Festival and appearing in conversation with WritingWA’s Will Yeoman. It looks like a really interesting...3 weeks ago
-
Trip to Brazil 2024 - Landing in the Megalopolis of Sao Paulo On February 7th I flew to Sao Paulo, Brazil to start a 17 day teachi...3 weeks ago
-
#2 - WEP Get Together - March 2024 - Hello fellow WEPpers and friends! Welcome to the second WEP Get Together! *Starting in April, we go bi-monthly. * The WEP team decided to keep in to...4 weeks ago
-
New chat on the Lovecraft Ezine - I had a great chat with Mike Davis of the Lovercraft Ezine. We talked about about social media for creators, about small-town horror, about my books, and...5 weeks ago
-
Royal Travel: Two Months at Edward II's Court - Unlike later centuries when the monarch spent most of the year in and around London, and went on progresses in the summer when the city got too hot and sti...2 months ago
-
Photo Parade 2023 - A bit of fun at the beginning of the new year. I’m following several German travel blogs, and that way came across the annual Photo Parade (Fotoparade) on ...2 months ago
-
Happy Public Domain Day 2024, the end of copyright for 1928 works - My annual reminder that January 1st is Public Domain Day, and this year copyright has ended for books, movies, and music first published in the U.S. in 192...2 months ago
-
The White Horse Band - Live Blues/Rock - 31 March 2023 Hi All, Time for some LIVE Video Music from me… (as opposed to my original stuff)…. I got into a blues/rock band for a one off gig at ...3 months ago
-
Konrath Thanksgiving - Black Friday - Cyber Monday Kindle Bundle Sale - *Get all of my ebook box sets on Amazon Kindle for 99 cents each, November 23 - 28.* *THAT'S 33¢ PER BOOK!* Almost my entire backlist of fifty-four ebooks...4 months ago
-
Questions from year 9 students - Recently – actually, not very recently but I somehow forgot to write this sooner – I did what has become an annual online Q&A with the Year 9 girls at Bedf...4 months ago
-
On Ohio, and the novels, and the new class - Just small news here. The new class is finished in first draft, and I’m now (and for the first time ever) doing the complete course bug-hunt and clean-up B...5 months ago
-
Big disruption hit book publishing before AI showed up - Publishers Weekly recently hosted a stimulating and smart online session about AI and publishing, thanks to the organizing and moderating skills of Peter...5 months ago
-
Flogometer 1180 for Christian—will you be moved to turn the page? - Submissions sought. Get fresh eyes on your opening page. Submission directions below. The Flogometer challenge: can you craft a first page that compels me ...7 months ago
-
Storny Weather - I've just been out fixing up the damage from last night's storm. This is pretty much the first time I've been able to spend much time outside and do any...7 months ago
-
#347 - I've been querying agents for the last 6-months and have over 50 rejections. I'm not sure if my novel isn't very interesting/sellable or if my query let...7 months ago
-
Parody - The other day, for the first time in a very long time, I heard the Barbie Song. So, being me, I decided to parody it, in hour of Alianore Audley and *The...8 months ago
-
Parody - The other day, for the first time in a very long time, I heard the Barbie Song. So, being me, I decided to write a parody. Hope you like it! *Hiya, Ali...8 months ago
-
To Live and Love - To live and love for the both of us Ten years ago today I made that vow I've struggled in the decade since Not always knowing exactly how Ten years you've...8 months ago
-
“It’s Random” – a random scribble - “Why am I even here? It’s random. No Divine Thing. No actual “purpose” except what we make of it. I haven’t made anything of it except to be restless, to a...9 months ago
-
#MemorialDay, remembering a female patriot ancestor - *© 2022 Christy K Robinson* We are taught stories about heroic men who gave their lives to bring independence and liberty to their families, friends--and...9 months ago
-
Mother’s Day Celebration (for a week!) - Originally posted on IFWG Publishing: We publish a fair bit of horror in many sub-genres, and celebrating Mother’s Day shouldn’t be exempt from our itinera...10 months ago
-
A tale of two titles - I have done something notably foolish. Which is perhaps nothing new, though the circumstances on this occasion are unusual. To whit, I am publishing two bo...1 year ago
-
Poem: If Wishes were horses - A team of horses racing toward me Brown like the uniforms of soldiers fortressing me around Speckled like a found family, salt of the earth Whit...1 year ago
-
another review for the Christmas Maze - *The Christmas Maze by Danny Fahey – a Review by David Collis* Why do we seek to be good, to make the world a better place? Why do we seek to be ethi...1 year ago
-
-
-
Children’s Rights QLD Ambassador - Children’s Rights QLD appointed Karen Tyrrell (me) Ambassador for Logan City, ahead of Children’s Week, 24-29 Oct 2022. I’m an award-winning child-empowe...1 year ago
-
ANWERING THE CALL: LESSONS FROM THE THRESHOLD - NEXT STORY SANCTUARY "Anwering the Call: Lessons from the Threshold" Sept. 20, 7 pm eastern $30 Online Whether you're starting a project, a school year, ...1 year ago
-
The Green House, Chapters 1-4 (Revised) - [Dear Reader: Having refined my intentions for this novel based on a lot of recent thinking about life and art, I have restructured and revised the first f...1 year ago
-
Publishing Contracts 101: Beware Internal Contradications - It should probably go without saying that you don't want your publishing contract to include clauses that contradict one another. Beyond any potential l...1 year ago
-
Tara Sharp is back and in audio book - SHARP IS BACK! Marianne Delacourt and Twelfth Planet Press are delighted to announce the fifth Tara Sharp story, a novella entitled RAZOR SHARP, will be ...1 year ago
-
Website Update - My website www.stephendedman.com has been updated, with details of my latest books; please check it out!2 years ago
-
Non-Binary Authors To Read: July 2021 - Non-Binary Authors To Read is a regular column from A.C. Wise highlighting non-binary authors of speculative fiction and recommending a starting place fo...2 years ago
-
ATTENTION: YOU CAN’T LOG IN HERE - Hey YOU! This isn’t the forum. You’re trying to login to the Web site. THE FORUMS ARE HERE: CLICK THIS The post ATTENTION: YOU CAN’T LOG IN HERE a...2 years ago
-
I'M INSIDE A SHORT STORY!! - Ok everyone, you have to read this very short short story. Firstly because it is good, (check out the Bligh story within it too), but also because I'm ...2 years ago
-
Grandmother Dragon Forever - It feels like centuries since the last time I wrote something for the Dragon Cave. Only something of great importance would drag me out of my retirement...3 years ago
-
-
What communicates power? - Well, I have to say, I wasn't expecting to get this far behind on my reports on the show, but the launch month was very busy, and then the next month turne...4 years ago
-
The Legendary Game Pac-Man Has No Meaning. - [image: The Legendary Game Pac-Man Has No Meaning.] The Legendary Game Pac-Man Has No Meaning. Let's take a look at how this word came about. Actually, P...4 years ago
-
Readers Notice and They Care - Readers care about story details and they care about characters. Both last night and this afternoon I had conversations with readers upset about the way au...4 years ago
-
Review of Verdi's MacBeth (WA Opera) - *Our president, Frances Dharmalingham, has written a critique of a recent visit to the opera: Verdi’s ‘Macbeth’.* At Christmas 2018, my family’s gift to ...4 years ago
-
Breakout 3: tips for engaging your audience - Tips for engaging your audience: how to improve presentation, public speaking confidence and presence on stage, no matter how small the stage is. Present...4 years ago
-
The Trains Don't Stop Here - It's been a long, long time since my last blog post. One of the main reasons for this – apart from life being way too busy in general – is that, in my dwin...4 years ago
-
Portrait of a first generation freed African American family - Sanford Huggins (c.1844–1889) and Mary Ellen Pryor (c.1851–1889), his wife, passed the early years of their lives in Woodford County, Kentucky, and later...4 years ago
-
Revisiting the Comma Splice - One of the difficulties as an editor, particularly when working with fiction, is to know when to be a stickler for the rules. For some people this is not a...4 years ago
-
New releases - SFFBookBonanza - StoryOrigin - SciFi and Fantasy Book Sale - New Releases – Jul 2019 The latest and greatest new releases in Science Fiction and Fantasy books! New releases July 2019 99 cent sale - July 22nd - 28t...4 years ago
-
Assassin’s Apprentice Read Along - This month, in preparation for the October release of the Illustrated 25th Anniversary edition of Assassin’s Apprentice, with interior art by Magali Villan...4 years ago
-
STOLEN PICTURE OPTIONS TELEVISION RIGHTS TO BEN AARONOVITCH’S RIVERS OF LONDON - *STOLEN PICTURE OPTIONS TELEVISION RIGHTS TO BEN AARONOVITCH’S * *RIVERS OF LONDON* *London, UK: 29April 2019*: Nick Frost and Simon Pegg’s UK-based ...4 years ago
-
A Movie That No Writer Should See Alone - Really. REALLY. Trust me on this. particularly since this film, ‘Can you ever forgive me?’, is based on a ‘True story’ – and too many writers will see too...5 years ago
-
Review: Trace: who killed Maria James? - [image: Trace: who killed Maria James?] Trace: who killed Maria James? by Rachael Brown My rating: 5 of 5 stars Absolutely jaw-dropping, compelling readin...5 years ago
-
Dance Photo Shoots - Photo Session Planning & Preparation Have you ever wanted to do a photo shoot for dance but have been a little unsure about how and what really happens? ...5 years ago
-
On Indefinite Hiatus - (Which I pretty much have been from this site for a while already, but for real now.) You can find most archive content through the On Writing page, and li...6 years ago
-
2017 Ditmar Winners Announced - Over the Queen’s Birthday weekend, spec fic fans gathered for Continuum 13: Triskaidekaphilia. Continuum is always a great convention, and this year it was...6 years ago
-
Writing about the Crusades and talking about a "meddlesome priest" - The Middle Ages are in the news again, so here is a roundup of recent news articles. We start with three good reads from historians talking about the crusa...6 years ago
-
The One and the Many – every Sunday - My first serious girlfriend came from good Roman Catholic stock. Having tried (and failed) to be raised as a Christian child and finding nothing but lifele...6 years ago
-
A Shameless Plug Ian Likes: Bibliorati.com - A little-known fact is that I once had a gig reviewing books for five years. It was for a now-defunct website known as The Specusphere. It was awesome fun:...7 years ago
-
Book Review - Nobody by Threasa Meads - Available from BooktopiaThe subtitle for this work is *A Liminal Autobiography*. Liminal: 1. relating to a transitional or initial stage of a process. 2...7 years ago
-
A whole 'nother year-and-a-bit - Well, we have let this blog slip, haven't we? I guess Facebook has taken over from blogs to a very large degree, but I think there is still a need for blo...7 years ago
-
2017 Potential Bee Calendar – & ladybirds and butterflies - Bees on flowers – all sorts of flowers (& bees) – and lady birds and butterflies. There were hundreds (literally) of photos to choose from. This is a small...7 years ago
-
What is dyslexia? - *" **The bottob line it thit it doet exitt, no bitter whit nibe teottle give it(i.e ttecific lierning ditibility, etc) iccording to Thilly Thiywitz ( 2003)...8 years ago
-
Rai stones - *(Paraphrased from Wikipedia)*: Rai stones were, and in some cases are still, the currency of the island once called Yap. *They are stone coins which at th...10 years ago
-
Cherries In The Snow - This recipe is delicious and can also be made as a diet dessert by using fat and/or sugar free ingredients. It’s delicious and guests will think it took ...11 years ago
-
Al Milgrom’s connection to “Iron Man” - Via the Ann Arbor online newspaper - I felt it was worth repeating as a great example of Marvel doing the right thing by a former employee and without the ...13 years ago
Favourite Sites
- Alan Baxter
- Andrew McKiernan
- Bren McDibble
- Celestine Lyons
- Guy Gavriel Kay
- Hal Spacejock (Simon Haynes)
- Inventing Reality
- Jacqueline Carey
- Jennifer Fallon
- Jessica Rydill
- Jessica Vivien
- Joel Fagin
- Juliet Marillier
- KA Bedford
- Karen Miller
- KSP Writers Centre
- Lynn Flewelling
- Marianne de Pierres
- Phill Berrie
- Ryan Flavell
- Satima's Professional Editing Services
- SF Novelists' Blog
- SF Signal
- Shane Jiraiya Cummings
- Society of Editors, WA
- Stephen Thompson
- Yellow wallpaper
Blog Archive
Places I've lived: Manchester, UK
Places I've lived: Gippsland, Australia
Places I've lived: Geelong, Australia
Places I've lived: Tamworth, NSW
Places I've Lived - Sydney
Places I've lived: Auckland, NZ
Places I've Lived: Mount Gambier
Places I've lived: Adelaide, SA
Places I've Lived: Perth by Day
Places I've lived: High View, WV
Places I've lived: Lynton, Devon, UK
Places I've lived: Braemar, Scotland
Places I've lived: Barre, MA, USA
Places I've Lived: Perth by Night
Search This Blog
Sunday 28 October 2007
Writers, Depression and Addiction
Sunday, October 28, 2007 |
Posted by
Satima Flavell
This has been a busy week. Every day I've had at least one commitment that entailed going out, and I'm one of those people who can't seem to write and function out in the world as well – so no writing and very little editing has been done. I know some writers who manage to hold down full-time outside jobs or have enormous family commitments and still manage to write something meaningful every day, but not me. One well-published writer of my acquaintance says you can train yourself to do it, but so far my psyche refuses to co-operate. I need at least three days of down time with no human contact to get any useful work done, writing-wise. I do think that by nature, writers tend to be loners.
Apropos, over at Storytellers Unplugged, Richard Steinberg has written a piece called "On being not-too-bright" which touches on the idiosyncrasies of writers. Steinberg says "I know (meaning know well) thirty-seven professional writers. In reviewing the list, I discovered that four of them could be called happy pretty much all the time, two others were happy more often than not, one pretends she’s happy to please her husband and children, and thirty were pretty much depressives on one level or another, like me." He also touches on the well-known predilection for addiction often mentioned in connection with not only writers, but creative artists in general.
I posted the link on one of the mailing lists I subscribe to, with some interesting responses. One lister said "I think the world created a romantic but distorted ideal of the writer and artist being alcoholics, drug addicts, and tortured souls."
My feeling is that the "tortured souls" part is the essence of it. Happy people don't become alcoholics or drug addicts, AFAIK. Mind you, there are not many truly happy people about and the ones that are often simply delude themselves. Life is hard, and I think the creative part of us knows that and longs to hold up a mirror to it. And for some, turning to drugs or other addictions is one way to hold the inherent misery of life at arm's length. Addictions do not, however, make one more creative and often they have the reverse effect.
In other words, the creative urge springs from our recognition of the harshness of life, often because circumstances made us realise this harshness from a very early age. Addictions spring from the same place. Not infrequently, the two go together, but many such people realise that their addiction hinders their creativity and take the necessary steps to overcome it. For most of my life I was the archetypal co-dependent (although I did go through a phase of abusing booze myself) but it wasn't until I'd done several years' work on myself that whatever little creative flair I have stuck its head up and asked "is it safe to come out now?"
I posted these thoughts to the mailing list and had three interesting responses. One lister said "Actually, as one pretty well versed on the subject, I believe that addictions are genetic." Another said "The writing life - hours alone, unpaid, unsung, the longest apprenticeship in the world - is enough to drive anyone crackers," and also "addictions are a way we avoid problems instead of dealing with them."
You know, I think all the above are true. They are three ways of approaching the same topic. It's a bit chicken and eggy, really. Writers - in fact all artists, I think - tend to come from dysfunctional families, which are often dysfunctional because of a genetic tendency toward addictions. This situation turns out loners - who wants to be with people when being with people causes so much pain? - and spending so many hours alone just makes folks more and more eccentric. And we learn fairly early that getting involved in a creative project is a great way to forget the pain. It's just another addiction, in some ways.
What do you think? Check out Steinberg's article. It will make you laugh and make you cry.
Apropos, over at Storytellers Unplugged, Richard Steinberg has written a piece called "On being not-too-bright" which touches on the idiosyncrasies of writers. Steinberg says "I know (meaning know well) thirty-seven professional writers. In reviewing the list, I discovered that four of them could be called happy pretty much all the time, two others were happy more often than not, one pretends she’s happy to please her husband and children, and thirty were pretty much depressives on one level or another, like me." He also touches on the well-known predilection for addiction often mentioned in connection with not only writers, but creative artists in general.
I posted the link on one of the mailing lists I subscribe to, with some interesting responses. One lister said "I think the world created a romantic but distorted ideal of the writer and artist being alcoholics, drug addicts, and tortured souls."
My feeling is that the "tortured souls" part is the essence of it. Happy people don't become alcoholics or drug addicts, AFAIK. Mind you, there are not many truly happy people about and the ones that are often simply delude themselves. Life is hard, and I think the creative part of us knows that and longs to hold up a mirror to it. And for some, turning to drugs or other addictions is one way to hold the inherent misery of life at arm's length. Addictions do not, however, make one more creative and often they have the reverse effect.
In other words, the creative urge springs from our recognition of the harshness of life, often because circumstances made us realise this harshness from a very early age. Addictions spring from the same place. Not infrequently, the two go together, but many such people realise that their addiction hinders their creativity and take the necessary steps to overcome it. For most of my life I was the archetypal co-dependent (although I did go through a phase of abusing booze myself) but it wasn't until I'd done several years' work on myself that whatever little creative flair I have stuck its head up and asked "is it safe to come out now?"
I posted these thoughts to the mailing list and had three interesting responses. One lister said "Actually, as one pretty well versed on the subject, I believe that addictions are genetic." Another said "The writing life - hours alone, unpaid, unsung, the longest apprenticeship in the world - is enough to drive anyone crackers," and also "addictions are a way we avoid problems instead of dealing with them."
You know, I think all the above are true. They are three ways of approaching the same topic. It's a bit chicken and eggy, really. Writers - in fact all artists, I think - tend to come from dysfunctional families, which are often dysfunctional because of a genetic tendency toward addictions. This situation turns out loners - who wants to be with people when being with people causes so much pain? - and spending so many hours alone just makes folks more and more eccentric. And we learn fairly early that getting involved in a creative project is a great way to forget the pain. It's just another addiction, in some ways.
What do you think? Check out Steinberg's article. It will make you laugh and make you cry.
Sunday 21 October 2007
The Importance of Sensory Detail
Sunday, October 21, 2007 |
Posted by
Satima Flavell
This time last week I was feeling really despondent about the critiques I've been getting. For years, people have been telling me that my characters need more depth; build-up needs more tension; narrative needs more showing, less telling - and the one I forgot, which has actually turned out to be the really essential one - I don't use enough sensory description.
In despair I uploaded a new chapter to OWW with a plea that critters would not just tell me these things, but show me exactly where and how to include them. Now most critters balk at this. Re-writing another's work looks arrogant. No sensitive critter will do it. But why not, just now and then, put a practical spin on the adage we keep passing around like a mantra "show, don't tell"? In this case, it turned out to be the final ray of light that illuminated the room where my book lives.
Here's what happened: by (unwillingly, I might add) actually rewriting two sentences of my WIP, crit buddy Ursula demonstrated what people have been telling me for at least five years. Her review lifted me from down-in-the-dumpiness to up-in-the-cloudsness in the time it took me to read her advice. Look at the difference between these ways of writing the same thing.
My original version:
Her visitor strode across the room, swung his pack from his back to the floor and bent to kiss her cheek before taking the seat opposite hers.
Nothing wrong with that. It gets across what happened in a few succinct words. But look at Ursula's rewrite:
He brought a draught of cold air with him as he strode across the room. Shrugging free of his pack he tossed it to the floor and caught her in a hug. His skin was chill against hers as he bent to kiss her cheek.
In that brief passage Ursula caught the essence of what people have been trying to tell me all these years. All those criticisms were saying the same thing, as if my critters were coming into my story-room through four different doors; doors labelled Depth of Characterisation; Tension Building; Sensory Description and the old chestnut, Show, Don't Tell. At last, I've realised these are just four doors into the same place.
Adding sensory detail makes it easier for the reader to see the character close up. To walk a mile in another person's shoes we have to feel those shoes pinching. If we don't feel the sensation, we won't understand what s/he's going through. In experiencing what the character is feeling on the physical level, we more readily feel the tension not just in the character's body but in the situation s/he is in. And through that feeling and experiencing we are being shown, not being told.
To think of all the times I've been reminded to do these things and not understood what was needed! Dear critters, you must have been thinking that I was either dense or stubborn. Perhaps I am both, but most of all, I am obviously a slow learner. But now, please rejoice with me, for reading that passage Ursula re-wrote made me see that all my problems boil down to one: the need for More Sensory Detail.
So although I've written one and a half chapters this week I've actually spent more time editing; playing with the interconnectedness of those four persistent criticisms. Thank you, Ursula, for your kind help, and thank you all the people who were probably dying to re-write my stuff but hesitated because I never thought of asking you to. At last your patience has paid off, and hopefully you'll start to see an improvement in the functioning of all four of those doors into my story!
In despair I uploaded a new chapter to OWW with a plea that critters would not just tell me these things, but show me exactly where and how to include them. Now most critters balk at this. Re-writing another's work looks arrogant. No sensitive critter will do it. But why not, just now and then, put a practical spin on the adage we keep passing around like a mantra "show, don't tell"? In this case, it turned out to be the final ray of light that illuminated the room where my book lives.
Here's what happened: by (unwillingly, I might add) actually rewriting two sentences of my WIP, crit buddy Ursula demonstrated what people have been telling me for at least five years. Her review lifted me from down-in-the-dumpiness to up-in-the-cloudsness in the time it took me to read her advice. Look at the difference between these ways of writing the same thing.
My original version:
Her visitor strode across the room, swung his pack from his back to the floor and bent to kiss her cheek before taking the seat opposite hers.
Nothing wrong with that. It gets across what happened in a few succinct words. But look at Ursula's rewrite:
He brought a draught of cold air with him as he strode across the room. Shrugging free of his pack he tossed it to the floor and caught her in a hug. His skin was chill against hers as he bent to kiss her cheek.
In that brief passage Ursula caught the essence of what people have been trying to tell me all these years. All those criticisms were saying the same thing, as if my critters were coming into my story-room through four different doors; doors labelled Depth of Characterisation; Tension Building; Sensory Description and the old chestnut, Show, Don't Tell. At last, I've realised these are just four doors into the same place.
Adding sensory detail makes it easier for the reader to see the character close up. To walk a mile in another person's shoes we have to feel those shoes pinching. If we don't feel the sensation, we won't understand what s/he's going through. In experiencing what the character is feeling on the physical level, we more readily feel the tension not just in the character's body but in the situation s/he is in. And through that feeling and experiencing we are being shown, not being told.
To think of all the times I've been reminded to do these things and not understood what was needed! Dear critters, you must have been thinking that I was either dense or stubborn. Perhaps I am both, but most of all, I am obviously a slow learner. But now, please rejoice with me, for reading that passage Ursula re-wrote made me see that all my problems boil down to one: the need for More Sensory Detail.
So although I've written one and a half chapters this week I've actually spent more time editing; playing with the interconnectedness of those four persistent criticisms. Thank you, Ursula, for your kind help, and thank you all the people who were probably dying to re-write my stuff but hesitated because I never thought of asking you to. At last your patience has paid off, and hopefully you'll start to see an improvement in the functioning of all four of those doors into my story!
Sunday 14 October 2007
The chorus is never offstage
Sunday, October 14, 2007 |
Posted by
Satima Flavell
The promised new chapter is written – but it was a blood, sweat and tears job. It took me all week to psych myself up to writing 1500 lousy words to serve a first draft and while I feel reasonably pleased with the outcome I was totally drained afterwards.
While I don't want to bore you with a load of internal angst, I will share with you the realisation that I am actually pretty scared of finishing this novel. Why? Because I fear it will be another book that is Nearly Good Enough.
Nearly Good Enough books are easy to find. Heck, some of them actually get published. I know I've read several and I expect you have, too. Usually the author doesn't get another chance – at least, not under the same name – and fades into ignominy without even selling out his or her advance. The reading public knows an NGE book when it sees one and is unlikely to look for a sequel. I've already written two NGE books and it's time I wrote a Goodenough one. (Now there's a thought – a new pen name! How would "Satima Goodenough" look on a cover?)
It's frustrating, this fiction-writing. After several years of solid work, I still get crits for the same faults – characters need more depth; build-up needs more tension; narrative needs more showing, less telling. Every time I do a rewrite I think "Aha, got it nailed this time," only to get the same old comments back from critters. They sometimes sound like a Greek Chorus, commiserating with me while pointing out the Fatal Flaws that doom the fruits of my labours to oblivion.
OTOH, all the published writers I've read on the subject agree that there is one characteristic no writer can do without, and that's perseverance. I'm not sure whether to be cheered or disheartened when I read of Writer X who sent a ms off thirty times before finding a publisher and Writer Y who wrote for twenty years before getting published. In one sense, these stories are encouraging, in that they demonstrate the value of hard work and persistence. However, at sixty-four years of age, haven't I left my run a bit late? Shouldn't I be spending my time down at the Senior Cits Centre, playing bridge and listening to U3A lectures?
Ye gods and little fishes, no! So what's the alternative? I know, I know - to get back on that bloody keyboard and write! Be it ever so difficult, unrewarding, frustrating and even heart-breaking, there never really was any other option, was there?
So, Musa volente, I shall write another chapter this week. In fact, even if the muse is not willing I'll do it. Slow progress is better than no progress, after all!
While I don't want to bore you with a load of internal angst, I will share with you the realisation that I am actually pretty scared of finishing this novel. Why? Because I fear it will be another book that is Nearly Good Enough.
Nearly Good Enough books are easy to find. Heck, some of them actually get published. I know I've read several and I expect you have, too. Usually the author doesn't get another chance – at least, not under the same name – and fades into ignominy without even selling out his or her advance. The reading public knows an NGE book when it sees one and is unlikely to look for a sequel. I've already written two NGE books and it's time I wrote a Goodenough one. (Now there's a thought – a new pen name! How would "Satima Goodenough" look on a cover?)
It's frustrating, this fiction-writing. After several years of solid work, I still get crits for the same faults – characters need more depth; build-up needs more tension; narrative needs more showing, less telling. Every time I do a rewrite I think "Aha, got it nailed this time," only to get the same old comments back from critters. They sometimes sound like a Greek Chorus, commiserating with me while pointing out the Fatal Flaws that doom the fruits of my labours to oblivion.
OTOH, all the published writers I've read on the subject agree that there is one characteristic no writer can do without, and that's perseverance. I'm not sure whether to be cheered or disheartened when I read of Writer X who sent a ms off thirty times before finding a publisher and Writer Y who wrote for twenty years before getting published. In one sense, these stories are encouraging, in that they demonstrate the value of hard work and persistence. However, at sixty-four years of age, haven't I left my run a bit late? Shouldn't I be spending my time down at the Senior Cits Centre, playing bridge and listening to U3A lectures?
Ye gods and little fishes, no! So what's the alternative? I know, I know - to get back on that bloody keyboard and write! Be it ever so difficult, unrewarding, frustrating and even heart-breaking, there never really was any other option, was there?
So, Musa volente, I shall write another chapter this week. In fact, even if the muse is not willing I'll do it. Slow progress is better than no progress, after all!
Sunday 7 October 2007
New Writerly Friends
Sunday, October 07, 2007 |
Posted by
Satima Flavell
I had a very pleasant day yesterday, as I attended the first writers workshop I've come across in the southeast of South Australia. I only moved here a year ago and I still miss the many wonderful groups I belonged to in Perth. Since Perth is a city of over a million people, you can find groups or classes for almost anything you care to name: in the twenty years I lived there I belonged, at various times, to groups devoted to Astrology, Ballet, Belly Dance, Buddhism (all schools are represented in Perth), Chi Gong, Editing, French conversation, Genealogy, Indian dance (Bharat natyam style, but it was possible to find groups for other styles, too), Meditation, Operatic chorus singing, Personal Growth, Sanskrit grammar, Shakespeare, Spanish Dance, Speculative Fiction, Tai Chi, Writing and Yoga. (There were probably others: those are just the ones I can remember with a couple of minutes' recollection.) In short, there are things happening in cities that simply don't happen in country towns, and those, together with ready access to the state libraries, art galleries and museums are the things I miss most about city life. And that's before I even start to think of dear friends and family members who still live in Perth while I live over 2,000 miles away. Now I'm feeling sorry for myself:-)
Yesterday, however, was an oasis in a desert of days. A group known as Coastal Quills ran a superb one-day workshop called Writer's Journey, facilitated by the delightful Peter Dunn, a writer and illustrator resident in Millicent, a small town some 30 miles from where I live. Peter has cleverly devised a series of reflective exercises to help writers consider the outer journey as parallel to the inner one. We spent time meditating on the history of our lives in writing – when did we first realise we wanted to write? How did the desire manifest? What barriers might have presented themselves on inner and outer levels that prevented us from fulfilling our dreams? What events or defining moments reveal, in retrospect, that the vision stayed alive, even if not manifesting on an outward level? What do we really want out of life? If we want to write, how can we, starting with the tools and opportunities we have in the here-and-now, set tangible, realistic and measurable goals towards fulfilling our writing dreams?
I think every one of the eighteen participants, some of whom had travelled for up to a hundred miles to attend the workshop, went away uplifted, enthusiastic, and no longer feeling quite as alone as they did. For we writers are a queer breed. Generally, we prefer our own company to that of others and oftimes we find the inner life more interesting than the outer one. Yet we crave occasional contact with like-minded others to reassure us that we are not anti-social misfits or crazy eccentrics. We need opportunities to remind ourselves that we have an important place in society. We are the chroniclers of past, present and future; investigators of the human condition in all its many forms, real or imagined. No civilisation has ever survived without such chroniclers, nor ever will.
We are writers. And to the individual writer, the journey of investigation is more important than the destination.
There were five or six people in the group who live close enough to me to make regular connection possible. At least one attendee was a fellow spec-fic writer; others shared my passions for history and genealogy and one or two even expressed interest in joining a Shakespeare group if I form one. Another is a fellow Belly Dance enthusiast and has promised to put me in touch with a teacher. WOW!
Great hopes are in the air and great plans are afoot, therefore. Add to this that my friend Annalou in Adelaide has invited me to stay with her for the duration of the Writers Festival in March next year and you have one cheerful and hopefully unblocked Satima. I plan to set aside a day this week when I will not edit, not critique others' work, not answer e-mails nor answer the phone. I will sit down and write the first chapter of part three of the WIP, even if it's crap.
Now, all I have to do it psych myself up to that – wish me luck!
PS I want to publicly express my thanks to Peter Dunn (get a website, Peter!), Steven Davies and the Coastal Quills crew for putting on such a fine workshop. More, please!
Yesterday, however, was an oasis in a desert of days. A group known as Coastal Quills ran a superb one-day workshop called Writer's Journey, facilitated by the delightful Peter Dunn, a writer and illustrator resident in Millicent, a small town some 30 miles from where I live. Peter has cleverly devised a series of reflective exercises to help writers consider the outer journey as parallel to the inner one. We spent time meditating on the history of our lives in writing – when did we first realise we wanted to write? How did the desire manifest? What barriers might have presented themselves on inner and outer levels that prevented us from fulfilling our dreams? What events or defining moments reveal, in retrospect, that the vision stayed alive, even if not manifesting on an outward level? What do we really want out of life? If we want to write, how can we, starting with the tools and opportunities we have in the here-and-now, set tangible, realistic and measurable goals towards fulfilling our writing dreams?
I think every one of the eighteen participants, some of whom had travelled for up to a hundred miles to attend the workshop, went away uplifted, enthusiastic, and no longer feeling quite as alone as they did. For we writers are a queer breed. Generally, we prefer our own company to that of others and oftimes we find the inner life more interesting than the outer one. Yet we crave occasional contact with like-minded others to reassure us that we are not anti-social misfits or crazy eccentrics. We need opportunities to remind ourselves that we have an important place in society. We are the chroniclers of past, present and future; investigators of the human condition in all its many forms, real or imagined. No civilisation has ever survived without such chroniclers, nor ever will.
We are writers. And to the individual writer, the journey of investigation is more important than the destination.
There were five or six people in the group who live close enough to me to make regular connection possible. At least one attendee was a fellow spec-fic writer; others shared my passions for history and genealogy and one or two even expressed interest in joining a Shakespeare group if I form one. Another is a fellow Belly Dance enthusiast and has promised to put me in touch with a teacher. WOW!
Great hopes are in the air and great plans are afoot, therefore. Add to this that my friend Annalou in Adelaide has invited me to stay with her for the duration of the Writers Festival in March next year and you have one cheerful and hopefully unblocked Satima. I plan to set aside a day this week when I will not edit, not critique others' work, not answer e-mails nor answer the phone. I will sit down and write the first chapter of part three of the WIP, even if it's crap.
Now, all I have to do it psych myself up to that – wish me luck!
PS I want to publicly express my thanks to Peter Dunn (get a website, Peter!), Steven Davies and the Coastal Quills crew for putting on such a fine workshop. More, please!
Subscribe to:
Posts (Atom)